Participating Countries

Respect yourself in order to respect the bequeathed Thousands and thousands of tourists leave their homes to see, even briefly, different landscapes, to visit other cities and villages, always admiring antiquities the most. Above all, photography teaches us to see the bequeathed beauties of nature and applied arts not only through the eyes of local tourists, but even more through the eyes of love, in our own yard, district, village, town, city, in our own country. Since tourism, due to its massive scale, has created strong stereotypes in photography, even prejudices about the motifs, it is very difficult to achieve, in spaces exposed to constant gaze, a new, different photography, while revealing the huge and rich heritage that surrounds us and within which we live. Photographic workshops of the Croatian Photographic Union for young photographers or for those who will thereupon become photographers, are taking place away from the city centre, away from the large tourist crowds (because foreign tourism in Croatia is one of the most profitable economic sectors), in the intimacy of small towns, folk tradition, in the magnificence of extensive wide open spaces of the natural (already largely protected) heritage. The way these young people (and there are also similar workshops for their instructors) go through photographic “instructions,” is closer to the avant-garde (Bauhaus) tradition of research, rather than prescribing any kind of method. In order to start the search for a motif, to even perceive beyond and in between the ordinary banalities of everyday life, while being here and now, is achieved through simple, daily and human relationship with the group they have joined and in which they will spend some time. The first task, then, is to create a “family” atmosphere. The central place in the family is the table, a mutual meal, relaxedness, trust, division of chores, conversation and encouragement. All of this leads them to accept themselves as independent and individual, completely different beings and that every one of them is in his/her way unique. Unburdened with the outcome, unburdened with the notion of a good photograph, good motif and the value of the heritage, they take aimed photographic trips. Suddenly new insights appear before them. They are ready to perceive, in marginalities, in modesty, in reflections, in small huts, in bricklaying, in materials, in yards, reflections, the beauty inherited from the ancient times, which brings them great joy, different and more spiritual from the one offered in commercials of consumers` glamour.

mhc

Branka Hlevnjak
MA, Art historian Member of the Expert Committee of the Croatian Photographic Union